ANAKYSIS OF THEORETICAL FOUNDATIONS OF CHINESE PLAYWRITERS IN THE 20TH CENTURY

Abstract

The article analyzes the theoretical basis of Chinese playwrights of the twentieth century highlighted features of the genre in classical and colloquial drama based on theories dramas in Europe and highlights the innovation playwrights in the image enamored feelings and emotions of the characters. The exceptions were the works of modern and contemporary drama, which, according to plan, the artists had to bring their modern foreign samples. In addition, the researchers ignored the problem remained combination of Chinese drama of the twentieth century, visual and verbal, that is the key to understanding the text, presentation, creating characters, exposure to society, speech-syntax. The above work covering only part of the study of classical literature, experimental avant-garde drama. Taking into account the scientific concept works on the formation, development and current state of drama in China, we believe that singled out a significant, significant and undeniable influence on literature, and, hence, to the drama took place due to political and social events that were in China during past times; artists striving to update and go beyond the established boundaries of the genre of classical drama was caused by the passage of time, Western European trends. It is proved that the combination of visual and verbal is essential to understanding the specific topics of contemporary dramatic works.