THE INFLUENCE OF THE CULTURAL REVOLUTION ON CONTEMPORARY CHINESE DRAMA
Keywords:
modern Chinese drama, Chinese literature, synthesis visual and verbal, avant-garde plays, eksperymentalnist, “Cultural revolution”, a new generation of image-aural levelAbstract
The article outlines how to develop drama analyzes the different perspectives of Chinese, European and Ukrainian researchers and scientists. Emphasized that the latest eksperymentalnist Chinese drama was related to the upgrade of form and content. determined the most significant features of the socio-political influence on the texts of dramas, particularly in Van Peyhuna creativity. The analysis of drama Van Peyhuna “We” found avant-garde play, which was defined on content-ideological, plot, figurative levels. The course of events in the drama of conflict occurred involving a number of contemporary authors of characters that have been submitted different social strata. Clarification of the circumstances of their lives helped determine the effect of the “Cultural revolution” in the establishment and development of a generation of hope, loss, hope, desire. Understanding the author the specific philosophical categories of existence, turnover time, friendship strengthened dramatic works. Van Peyhunom simulated imagery and aural level was intentionally complicated musical digressions.
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