CHAMBER AND INSTRUMENTAL MUSIC OF THE COMPOSING SCHOOL OF THE CHERNIGIV REGION OF UKRAINE AT THE END OF THE 20TH – FIRST QUARTER OF THE 21ST CENTURY: ON THE EXAMPLE OF THE WORKS OF OLEKSANDR IVANKO

Abstract

The purpose of the work is to investigate the chamber-instrumental work of the modern Ukrainian composer of the Chernihiv region of Ukraine, Oleksandr Ivanko, and consider it in the context of the art history discourse of Ukraine at the end of the 20th – the first quarter of the 21st century. The research methodology is based on source science, systemanalytical and theoretical methods. The scientific novelty lies in the fact that, for the first time in the context of Ukrainian musicology, the article examines the chamber-instrumental music of the artists of the Chernihiv School of Composers of the end of the 20th – the first quarter of the 21st century, using the example of Oleksandr Ivanko work. A noticeable increase in interest in the artist's work, particularly in pedagogical and performing practices, has been demonstrated. It is substantiated that the chamber-instrumental property of the modern composer of Chernihiv Oblast remains little-known to the national artistic community and is currently relevant and requires further research and presentations. Conclusions. As a result of scientific investigation, the chamber-instrumental work of the modern Ukrainian composer of the Chernihiv region of Ukraine at the end of the 20th – the first quarter of the 21st century Oleksandr Ivanko was investigated. Based on the analysis of the artist's chamber-instrumental works (Violin Concerto in g-moll and Concertino in F-dur for flute and piano), the chronology of writing and the history of the artist's creation of chamber-instrumental works for ensemble music making with a variety of variants of its composition are revealed: a cycle of plays «Monastery Patterns», consisting of three works («Echoes of Antiquity», «Light through Glass», «Ancient Stained Glass»); the instrumental piece «Mystery», written for two cymbals, drums and double bass; instrumental piece «Extravaganza» for trumpet and piano. The innovative individual artistic and form-creating solutions of Oleksandr Ivanko compositional technique have been updated in the aspect of instrumental versioning. It has been established that the researched works of a contemporary of the composer school of the Chernihiv region of Ukraine at the end of the 20th – the first quarter of the 21st century form a new perspective on the chamber-instrumental genre, have interesting solutions to the language-stylistic, contentexpressive model of building a musical fabric, so they should not remain outside the attention of the artistic community.