SYSTEMATIZATION OF FORMS OF THEATRICAL PRACTICES IN THE CONTEMPORARY UKRAINIAN-POLISH CULTURAL DIALOGUE

Abstract

This article explores the transformative features of the cultural dialogue between Ukraine and Poland in theater arts over the last decade, presenting a scientific problem that is relevant and increasingly interesting to the academic community due to the growing focus on cultural diplomacy. The publication aims to share the results of analyzing this issue. Consequently, it undertakes the task of systematizing the identified theatrical practices between Ukrainians and Poles. The methodological foundation relies on qualitative research methods, employing cultural, systemic, and historical-comparative analyses, emphasizing the correct use of definitions and conceptual frameworks. Primarily, it considers internet sources filled with valuable information on Ukrainian-Polish theatrical connections and attempts to systematize the varieties of these bilateral stage practices, marking the novelty of this research. The findings reveal that these practices mainly function beyond direct theatrical activities such as tours, festival participations, play productions, script readings, and performances, also in publishing (reviews, overviews, articles), the work of specialized institutions (research, scholarships, residencies, conferences), and educational activities. The extensive involvement of Ukrainian actors and other theater professionals in the Polish stages is primarily associated with the full-scale military escalation by russia in Ukraine since February 24, 2022, marking a horrific phase of the russian-Ukrainian war initiated by putin’s regime in February 2014. The representation of Ukrainian culture in Poland primarily revolves around the war, russian crimes, and the global peace threat, with less emphasis on exposing social, every day, and personal issues. An essential aspect of these bilateral friendly contacts has been the comprehensive support from Polish theatrical institutions, including financial aid. The study’s practical significance lies in clarifying the role and place of theater in cultural diplomacy and its practical use in international relations. The conclusion notes positive shifts in the history of Ukrainian-Polish relations, leading to close cultural communications. The systematized diverse manifestations of theatrical practices in the Ukrainian-Polish cultural dialogue will help analyze the activity of cultural dialogue between Ukrainian theater artists and their counterparts in other European countries, thereby providing a complete picture of contemporary international theatrical communication.