DEVELOPMENT TENDENCIES OF MODERN VOLYN PAINTING: SEMANTIC AND COMMUNICATIVE ASPECT

Abstract

The article analyzes the semantic-communicative characteristics of modern painting in Volyn on the example of the work of young artists. The general socio-cultural panorama of the formation of young Volyn artists is highlighted. The semantic-communicative character of their work is characterized on the example of the products of individual artists. The purpose of the article is to identify the main semantic and communicative features in the work of young Volyn artists. The research methodology is based on the principles and tools of analysis and synthesis, systematic, typological, historical, logical, artistic and cultural analysis. A scientific innovation of the research lies in the creation of the concept of art development in Volyn as a sociocultural and communicative phenomenon. Numerous works of art that make up the cultural funds of modern Volyn are analyzed. Conclusions. The socio-cultural situation in Ukraine in the 1990s–2000s created new semantic and communicative characteristics in the field of art, which was fully manifested in the work of artists whose personality development coincided with new trends in society. In the modern painting of Volyn, as it is demonstrably presented on the example of young artists, spiritual-religious, landscape and abstract semantic spheres dominate, and spiritual-religious principles and a response to the realities of today are the core of the communicative process. At the same time, the semantic-communicative meaning of individual creativity and fine art as a whole is not defined, but has multiple perspectives in socio-cultural time-space.