THE SOUND OF THE ERA: THE REFINED STRUCTURE OF W. A. MOZART’S PIANO TRIO IN E-DUR

Abstract

The aim of this study is to present a comprehensive analysis of the Piano Trio in E-Dur (KV 542), which is essential for a deeper understanding of W. A. Mozart’s chamber style. The research includes an examination of the structural elements of the opus, contributing to the enhancement of performance skills and the expansion of musical knowledge at all stages of professional development. Special attention is given to the compositional techniques employed in the piano trio genre. It is noted that the evolution of the composer’s style can be traced in his ensemble works, including his piano trios, which are highly informative, versatile, melodious, expressive, exceptionally technical, and refined. These works exhibit an exquisite contrast in tempo and dynamics, as well as a distinct and harmonious interaction among all members of the trio. Research methodology. To achieve the research objective, a comprehensive set of scientific methods has been used. These include: historical and stylistic analysis (studying the historical context and the influence of the era); musicological analysis (melodic, rhythmic, dynamic, and timbral aspects); performance analysis (developing recommendations on technical, artistic, and stylistic aspects); comparative analysis (comparison with other works, analysis of literary sources, and expert evaluation methods). The scientific novelty lies in the analysis of W. A. Mozart’s piano trio. The study takes into account the composer’s annotations in the scores that were disseminated during his lifetime. Additionally, it considers the stylistic features of the era in which the composer lived. Conclusions. The study of Mozart’s piano trios is an important step in the development of Ukrainian musical art, contributing to the improvement of both rehearsal and educational processes. This article enhances the understanding of the great composer’s work, expands knowledge of his musical style, and opens new possibilities for the interpretation and performance of his chamber compositions. Further research in this field will enable a more detailed exploration of Mozart’s musical heritage, facilitating its successful integration into performance practice.