TRYPILLYA STORAGE CERAMICS AS AN AESTHETIC RESOURCE FOR FORM-BUILDING IN MODERN DESIGN

Abstract

In the period of rapid development of technologies and design creativity, the study of cultural aspects of archaic experience does not lose its relevance. For example, Trypillian ceramics as one of the most expressive carriers of the material and sacred culture of ancient Ukraine. The article analyzes the technology of forming and decorating ceramic products of Trypillian, in particular container products, in the context of their aesthetic and artistic value. The purpose of the work is to draw the attention of a wide range of artists to the powerful potential of Trypillian container ceramics as a source of inspiration in the formation of modern design. The authors trace the connection between archaic forms, the features of their manufacture and modern trends in design. The methodology is based on an interdisciplinary approach that combines elements of art history, ethnography and design. The main method is a comprehensive analysis of literary sources (art historical works, scientific articles and monographs), the comparative-analytical method is also used. The scientific novelty lies in the identification of new directions for the application of the rich heritage of the Trypillya culture: from object to interior design. The work focuses on the possibilities of using Trypillya artistic and aesthetic finds in the formation of modern design, which is important in the context of the development of the national component. Information about Trypillya container ceramics is also collected, which attracts the attention of researchers with its production technology, artistic language, preservation of ancient decorative means and elements of ornament, disclosure of the features of the structure and the surrounding environment of that time. Conclusions. Thanks to the processed information sources and available eyewitness materials of the Trypillya-Kukuten culture, the work draws attention to the main features of the form-forming and aesthetic principles of the manufacture of container ceramics of the Trypillya period.