VOCAL AND STAGE ART OF THE THEATRE “BEREGYNYA” IN THE DIMENSIONS OF THE POST-FOLKLORE ERA

Abstract

The purpose of the study is to analyze the vocal and stage art of the Ukrainian folklore theater "Berehynia" in the context of the post-folklore era and identify its artistic, interpretative and communicative features. The results of the study indicate that the theater "Berehynia" is an example of a living transformation of folk art, where folklore heritage becomes a means of spiritual self-expression, the formation of national identity and artistic innovation. The team demonstrates the ability to creatively rethink traditional forms, integrate them into a modern stage context and communicate with different generations of viewers. The study showed that the theater implements the principles of synthesis of the traditional and modern, combining authentic singing, dramaturgy, choreography, scenography and musical accompaniment into a holistic artistic form. The performances of "Berehynia" demonstrate a rethinking of folklore material: folk songs and rituals become a means of creating a stage image, symbol and communicative message. The scientific novelty of the work lies in the comprehensive consideration of the Berehynia Theater as a laboratory of post-folklore vocal and stage art, combining authenticity and innovation. For the first time, the aesthetic principles of the collective, vocal and stage strategies, manifestations of post-folklore thinking and the socio-communicative function of folklore on the modern stage have been systematically analyzed. Conclusions: the work of the Berehynia Theater as a phenomenon of modern Ukrainian vocal and stage art is a representative model of post-folklore synthesis, which forms a new aesthetics of the Ukrainian stage and determines the prospects for the development of modern stage folklorism. The use of authorial stylization, interactivity and innovative stage techniques emphasizes the post-folklore nature of the collective's work and its ability to combine tradition with current socio-cultural demands.