THE SYNTACTIC COHESION AS A REFLECTION OF CULTURAL EPOCH PARADIGM (BASED ON M. PRUST’S “STREAM OF CONSCIOUSNESS”)

Abstract

The research offers the point of view on the problem of syntactic cohesive connectedness of expression of the text in modern French language. On the material of fragments of M. Proust's novel “In Search of Lost Time” the author of the article argues that the syntax of the stream of consciousness of its associativity, chaotic, mental leaps, border subjectivity dismemberment syntactic structures and their associations in a continuous “stream” at the same time, characterized by an original cohesive connectedness. It is noticed, that in the structure of stream of consciousness, syntactic structures renovate constantly, acquire new values and forms of expression. It was established that in stream of consciousness means there are no explicit and no implicit methods of cohesion that correlate formally with parts of expression play a key role at binding of sentences in an integral structure. The results of exploration argued that decisive at the cohesive binding of sentences are the associative systems of characters in the stream of consciousness. Reasonably, that in French literature the stream of consciousness cohesion is on the new stage of its dynamic development. The analysis of the material shows that a syntactic cohesion in literature of modernism (stream of consciousness, in particular) is correlated with such principles of cultural paradigm, as intuition, allogism, subjectivity, associativity and others like that.