THE FOLK DANCES OF THE MIDDLE AGES THE FOUNDATION OF BALLROOM CHOREOGRAPHY

Authors

DOI:

https://doi.org/10.32782/facs-2024-1-23

Keywords:

domestic dances, ballroom choreography, medieval culture, king, farandole, branle.

Abstract

Today, detailed study of the enduring constructs within culture that influence the mechanism of creating and the modes of existence of various forms of dance art proves to be exceptionally relevant. Each historical epoch cultivated certain forms of choreography, shaping fundamental dominants and canons that influenced its development. Understanding the nature, place, and role of ballroom dance, the evolution of which exhibits both synchronic and diachronic manifestations, correlates, and consequences, directs towards the exploration of the uniqueness of its origin. Therefore, it is scientifically expedient to focus attention on elucidating the issues of the emergence of ballroom choreography, determining its genetic roots, or activating it in one historical period or another. Purpose of the work. To analyze the comprehensive picture of the formation of ballroom choreography in the sociocultural space of medieval Europe. The paper examines dominant examples of domestic choreography represented in the dance culture of the Middle Ages. Based on numerous literary sources, the specifics of the choreographic tradition of that time are explored. Shedding light on various aspects of the investigated issues, we employ various scientific methods: analytical (in studying art, philosophical, and cultural approaches to the outlined topic); historical (in researching the genesis and reception of ballroom choreography); cultural (in examining the function that dance culture served in the spiritual life of the contemporary era); art historical (analysis of the lexical and stylistic specifics of ballroom dances), semiotic (analysis of the sign structure of dance, semantics of dance patterns). Scientific novelty. The article represents the first attempt to address a wide range of cultural issues related to the genesis, semantic content, and essence of ballroom dance, its role, and significance in the self-expression of certain subjects of medieval society. Conclusions. Dance is a reflection of a specific era and fulfills the social order of a particular society. The Middle Ages played an important role in the development of choreographic culture. Most courtly dances of that period are folk domestic patterns, adapted and modified according to the norms, customs, and rules of court etiquette.

References

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Published

2024-04-26

How to Cite

КІНДЕР, К., & КУТУЗОВ, М. (2024). THE FOLK DANCES OF THE MIDDLE AGES THE FOUNDATION OF BALLROOM CHOREOGRAPHY. Fine Art and Culture Studies, (1), 175–181. https://doi.org/10.32782/facs-2024-1-23

Issue

Section

CULTURAL STUDIES