STYLE FEATURES OF ROCK MUSIC IN THE SYSTEM OF GENRE GENERALIZATIONS

Abstract

This article deals with the issue of genre generalizations of rock music from the point of view of retrospective features of the complex understanding of the classification and organization of the musical material of works, in the process of concretizing the differentiation of the definition of genre-typical projects, taking into account musical and aesthetic needs. In this case, it is important that rock music as an integral part of musical art has a direct impact on the formation of all cultural processes and plays an important role in the formation of the achievements of world culture. At the stages of its emergence, development, and assertion of their artistic and aesthetic positions, rock music significantly affects a significant part of humanity, being a stylistic content of conceptual and genre definition based on psychedelic trends in rock music, analogs of which can be found in other arts (fine, theater, poetry ) In this regard, there are parallels between technological aspects, the achievement of characteristic genre and style features of works, and political, economic, moral and ethical and psychological and aesthetic trends of periodization of society as a key indicator in determining consumer needs of the audience. The aim of the article is to identify the main points of integration of the polystylistic tendencies of rock music in the historical aspect, to understand the transformational processes of such concepts as pop, beat, and rock music at the level of individualizing their meanings and finding common features in the generally defined complementary saturation of the information volume in the process of understanding pop music as a complex phenomenon. Scientific novelty. The main problems are identified and the innovative trends of the set of complementations of the means of musical expression of rock music is socially focused on the reflection of the philosophical doctrine of not perceiving the real world with its complexities and contradictions and the search for the achievement of the "ideal". Such a psychological basis since the emergence of rock music has been associated with the attempt to completely abstract from the surrounding society with its moral norms and spiritual values. Tendencies of one's vision of the surrounding world, the destruction of the boundary between the personal and the extra-personal, the liberation of consciousness from conventions and traditions in the achievement and realization of desires are formed. Conclusions. Rock music promoted a sense of collectivism and mutual aid as a method of overcoming alienation and affirming complete harmony. As a result, social conflicts and contradictions had to be resolved by rejecting realities, immersion in otherworldly worlds, and surreal fantasies, which directly affected the texture of the means of musical expression and the certainty of the sound of musical works. Taking this into account, it can be stated, that in this situation, the unambiguity of the typology in understanding the definitions of style and genre is practically impossible, and the mono system approach of embodying creative ideas in the plane of the philosophical foundations of rock music is methodically inexpedient. In this case, the use of technology of integrated generalizations of poly-style features of rock music in the system of genre formations by situational concretization of individual features of creative projects is required.