GENRE PALETTE OF INSTRUMENTAL MUSIC BY IMPRESSIONISTS

Abstract

The article analyzes the use of the instrumental palette as one of the key elements of impressionism in the works of prominent French impressionist composers. The paper explores the use of various techniques that they applied to compose works, as well as their influence on new musical compositions. Particular attention is paid to comparing the approaches of Debussy, Satie and Ravel to the use of the orchestral palette, as well as their influence on the development of musical impressionism and modern classical music. The aim of the article is to explore the genre-specific features and stylistic characteristics of the instrumental music of impressionist composers, as well as to identify new aspects in the development of this direction within the context of musical culture. The article focuses on analyzing musical works and determining the patterns that influenced the formation of individual genre forms within impressionism. Methodology: analysis of musical texts, genre and stylistic analysis, historical and cultural approach, analysis of scientific sources. The scientific novelty lies in the analysis of the genre palette of instrumental music by French composers-impressionists, which is based on a comprehensive study of musical works and scientific research, contributing to the identification of new aspects and patterns in the development of this musical direction. The article provides an overview of the diverse and multifaceted landscape of instrumental music, showcasing its remarkable breadth and intricacy. This reflects the composers’ aspirations for free expression, which permitted them to create distinctive musical compositions that transcend the conventional genres. It can thus be demonstrated that genres designed to evoke atmospheres and emotions occupy a significant position within this musical landscape. In piano music, the Impressionists employed specific playing and pedalling techniques that enabled them to attain multi-layered sound effects. The composers’ inclination towards the creation of multifaceted and vivid soundscapes is exemplified in their orchestral works, including symphonic poems and suites. The diversity of genres and forms observed in the music of the Impressionists reflects the complexity and versatility of their artistic vision, and constitutes a significant contribution to the development of musical art in the late 19th and early 20th centuries. In conclusion, the article is based on an analysis of the works of French composers, as well as on the study of relevant musical materials and research on their work. The results of the work help to better understand the influence of impressionism on the development of musical art and the role of the orchestral palette in the formation of musical images and atmospheres.