No. 2 (2022): Fine Art and Culture Studies

Статті

• THE FAMILY AS A SOURCE OF INSPIRATION (ON THE EXAMPLE OF CREATIVE RELATIONS OF THE CHERKASHYN-GUBARENKO FAMILY)

  Olena BAZAN

  3-9

  • PDF (Українська)

• VOLODYMYR ZUBYTSKY: UNIVERSALIZM OF A CREATIVE PERSONALITY

  Hennadii HOLIAKA

  10-16

  • PDF (Українська)

• MUSICAL ENVIRONMENT: PECULIARITIES AND PROBLEMS OF INVESTIGATION

  Inna DOVZHYNETS

  17-24

  • PDF (Українська)

• “PIANO PLAY SCHOOL” BY OLEKSANDR YAKOVCHUK

  Tetyana KRYVYTSKA, Nataliya TSEIKO

  25-32

  • PDF (Українська)

• ROSTYSLAV HENIKA: PERFORMING-PEDAGOGICAL AND COMPOSING ACTIVITY

  Mariia LYNNYK

  33-39

  • PDF (Українська)

• THE CONCEPT OF MAZEPA’S ART IMAGE IN THE CREATION OF EUROPEAN AND IMPERIAL-RUSSIAN MYTHS IN THE MUSIC AND THE ROLE IN THIS LISZT AND TCHAIKOVSKY

  Evgeniya MOREVA

  40-47

  • PDF (Українська)

• WORKS BY UKRAINIAN COMPOSERS IN THE CONCERT AND PERFORMANCE ACTIVITIES OF DIASPORA PIANISTS IN THE UNITED STATES (SECOND HALF OF THE TWENTIETH CENTURY)

  Juliia OSMACHKO

  48-56

  • PDF (Українська)

• RESEARCH ON OF THE ROLE AND FUNCTIONS OF THE TORSO IN THE PROCESS OF VOCALIZATION

  Irina PIATNYTSKA-POZDNYAKOVA, Alina KORSHUNOVA

  57-64

  • PDF (Українська)

• SUBJECT-SPATIAL DESIGN OF THE ORGANIZATION OF THEOLOGICAL INFRASTRUCTURE OF THE INTERIOR OF THE CHURCH OF THE RESURRECTION, UHERSKE VILLAGE

  Violetta RADOMSKA

  65-71

  • PDF (Українська)

• STYLE SIGNS OF FRANK SINATRA’S ARTISTIC IMAGE IN THE CONTEXT OF MODERN IMAGEOLOGY

  Rehina CHERNOVA

  72-77

  • PDF (Українська)