No. 4 (2022): Fine Art and Culture Studies

Статті

• PRELUDE «TO THE AFTERNOON OF FAUN» BY C. DEBUSSY «IN BLACK AND WHITE»

  Yakiv VOSKOBOINIKOV

  3-11

  • PDF (Українська)

• THEORETICAL AND METHODOLOGICAL BACKGROUND OF THE MUSIC INTERPRETATION: RESEARCHES, ANALYSIS, PERSPECTIVES

  Viktoria GOLOVEI, Viktoriia KASHAIUK

  12-20

  • PDF (Українська)

• CHURCH AND MUSICAL LIFE IN KRAKOW AT THE END OF THE 19TH – THE FIRST HALF OF THE 20TH CENTURIES

  Svitlana НURALNA

  21-30

  • PDF (Українська)

• ON THE QUESTIONS OF THE DEFINITION OF THE PERFORMING AND AUTHOR SCHOOL

  Аndriy DUSHNIY, Nataliia STORONSKA, Volodymyr SALII

  31-38

  • PDF (Українська)

• TRAGEDY OR HEROISM? COSSACK KNIGHT PSYCHOINTERPRETIVE MODEL IN UKRAINIAN MUSIC AS A NATIONAL METACONCEPT

  Viktoriia KASHAIUK

  39-44

  • PDF (Українська)

• THEORETICAL AND PRACTICAL PRINCIPLES OF WORKING WITH A STUDENT-VOCALIST OF POP SINGING

  Olena MALTSEVA

  45-51

  • PDF (Українська)

• UKRAINIAN VOCAL MUSIC FEATURES IN THE ASPECT OF PERFORMANCE

  Valentyna MATIUSHENKO-MATVIICHUK

  52-57

  • PDF (Українська)

• «FLAMENCO CODE»: STRUCTURAL COMPONENTS AND THEIR INTERACTION IN ARTISTIC PRACTICE

  Viktoriia MELNYK

  58-66

  • PDF (Українська)

• THE INTERPRETATION OF ANTHROPOLOGICAL IDEAS OF THE EPOCH IN THE ARTISTIC BIOGRAPHY

  Lesia MYKULANYNETS

  67-72

  • PDF (Українська)

• FEATURES OF EUGENIA CHERKAZOVA'S CREATIVITI IN MODERN ACCORDION PERFORMANCE

  Vitalii OKHMANIUK

  73-78

  • PDF (Українська)

• INNOVATIVE METHODS OF FORMING TECHNOLOGICAL AND CORRECTIVE COMPETENCE OF STUDENTS DURING BLENDED LEARNING

  Yuliya PAVLIYK

  79-84

  • PDF (Українська)

• MUSICAL RHYTHM: CONCEPTUALITY OF TEACHING METHODS

  Tetyana SAMAYA

  85-92

  • PDF (Українська)

• THE CREATIVE PERSONALITY OF YAROSLAV VERSHСHAHIN IN THE CONTEXT OF TIME

  Sofiia TRUSENKO

  93-100

  • PDF (Українська)

• THE ROLE OF THE «FOREIGN» CLARINET IN THE FORMATION OF PROFESSIONAL WIND MUSIC IN CHINA

  Yan ZHEU

  101-106

  • PDF (Українська)

• THE PHENOMENON OF META-GENRE FORM IN MUSICAL PIECES OF THE MODERNIST AND POSTMODERN AGE

  Yuriy POPOV, Mariya YARKO, Mariya KARALIUS

  107-114

  • PDF (Українська)