No. 3 (2022): Fine Art and Culture Studies

Статті

• HISTORICAL AND CULTURAL ASPECT OF THE DEVELOPMENT OF CHURCH MUSIC OF ROMAN CATHOLICS IN GALICIA IN THE XIX – EARLY XX CENTURIES

  Svitlana HURALNA

  3-12

  • PDF (Українська)

• G. TELEMANN CONCERTO FOR TRUMPET IN D MAJOR, DISCLOSURE OF THE COMPOSER’S IDEA AND HIS MUSICAL IDEA

  Oleg IVANITSKYY

  13-18

  • PDF (Українська)

• MYKOLA LYSENKO’S 100TH ANNIVERSARY AS A FACTOR OF PRESERVING UKRAINIAN NATIONAL IDENTITY IN THE CONDITIONS OF THE SECOND WORLD WAR IN UKRAINE AND EMIGRATION

  Hanna KARAS

  19-30

  • PDF (Українська)

• THE IMAGINARY CONTENT AND MUSICAL LANGUAGE OF HANNA KHAZOVA’S CANTATA “GIVE US, GOD!”

  Yevhen KEMENCHEDZHY

  31-38

  • PDF (Українська)

• METER-RHYTHMIC PROPORTIONS IN UKRAINIAN PARTES COMPOSITIONS

  Nataliia KLIUCHYNSKA

  39-46

  • PDF (Українська)

• PORTRAIT OF THE PERFORMER JAQUES THIBAUD IN THE SECOND SONATA FOR SOLO VIOLIN BY EUGENE YSAYE OP. 27

  Nataliia KOLIADA

  47-55

  • PDF (Українська)

• COVER AS A PRACTICAL PLATFORM TO THE FORMATION OF AN EXCLUSIVE REPERTOIRE AND ONE OF THE FORMS OF IMPROVING THE PERFORMING SKILLS OF A MODERN POP ARTIST

  Nina KRAVETS, Yuriy ROMENSKYY

  56-61

  • PDF (Українська)

• VOCAL ENSEMBLE IN POLYCULTURAL SPATIAL TRANSCARPATHIA

  Mariia MARTYNIUK

  62-67

  • PDF (Українська)

• THE GRASP OF CULTURE-BASED COMPETENCY OF HIGHER EDUCATIONAL INSTITUTIONS STUDENTS IN THE PROCESS OF ARTIST’S BIOGRAPHY COGNITION

  Lesia MYKULANYNETS

  68-72

  • PDF (Українська)

• THE STYLE SIGNS IN MAURICE RAVEL’S PIANO CONCERTS: FROM IMPRESSIONISM AND NEOCLASSICISM TO ECLECTIC AND CINEMA MUSIC

  Evgeniya MOREVA

  73-78

  • PDF (Українська)