Fine Art and Culture Studies

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No. 1 (2025): Fine Art and Culture Studies

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Fine Art and Culture Studies. Lutsk: Lesya Ukrainka Volyn National University, 2025. № 1. 480 p.
Founder: Lesya Ukrainka Volyn National University
Recommended for printing: 24.04.2025

Published: 2025-04-24

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MUSICAL ART

PLASTICITY OF STAGE MOVEMENT AND ARTISTRY IN MODERN POP SINGING

Olha BORYN

3-7
- PDF (Українська)
VOCAL ENSEMBLES IN THE CREATIVE PRACTICE OF EUROPE AND CHINA: TRADITIONS, TRANSFORMATIONS, CURRENT TRENDS

Wan Jian

8-13
- PDF (Українська)
THE USE OF MODERN TECHNOLOGIES IN POP VOCAL TEACHING METHODOLOGY

Oleg GONTAR, Inna KYRYCHENKO

14-22
- PDF (Українська)
THE POETICS OF THE PIANO CONCERTO IN THE WORKS OF I. ALBÉNIZ IN THE CONTEXT OF SPIRITUAL AND AESTHETIC SEARCHES OF THE RENACIMIENTO

Vyacheslav DASHKOVSKY

23-29
- PDF (Українська)
PROBLEMS OF PROFESSIONAL TRAINING OF FUTURE MUSIC TEACHERS IN INSTITUTIONS OF HIGHER EDUCATION

Tetiana DOROSH, Olga DUBOVSKA, Olena TURUKINA

30-35
- PDF (Українська)
FEATURES OF THE DEVELOPMENT OF THE CONCERT GENRE FOR THE TUBA

Mykola DUTCHAK

36-41
- PDF (Українська)
MODERN METHODS OF VOICE TRAINING IN THE CONTEXT OF MUSIC-PEDAGOGICAL EDUCATION

Аnna ZARYTSKA, Andrii ZARYTSKY, Viktor MROCHKO

42-48
- PDF (Українська)
PIANO ART ON THE PAGES OF THE ‘MUZYKA’ JOURNAL OF THE 1970S AND 1980S

Yuriy ZUBAY

49-57
- PDF (Українська)
POETIC IMPROVISATION: THE TRACE OF BILL EVANS IN THE MUSICAL SPACE OF JAZZ

Valentyn IVANOV, Lyudmila KUDRYCH, Lyudmila KRASOVSKA, Oksana MYKHAILIUCHENKO

58-64
- PDF (Українська)
THE EMBODIMENT OF THE POEM BY T. SHEVCHENKO «OH, WHY ARE YOU BLACKENED» IN THE WORKS OF UKRAINIAN COMPOSERS

Yuliia IVANOVA

65-72
- PDF (Українська)
THE PIANO’S SOUND-IMAGE IN THE WORKS BY O. SHCHETYNSKY

Mariya KALASHNYK

73-80
- PDF (Українська)
WOMEN’S MYTHOLOGICAL IMAGES IN THE UKRAINIAN OPERA ART OF THE 18TH – EARLY 20TH CENTURY

Anna KEIVAN

81-87
- PDF (Українська)
THE PERFORMATIVE AND INTERPRETIVE STYLE OF KVITKA CISYK IN THE CONTEXT OF UKRAINIAN SONG TRADITION

Yana KYRYLENKO, Roman KLIUBA

88-96
- PDF (Українська)
THE MUSICAL EVOLUTION OF THE GUITAR: FROM DESIGN TO EXPRESSION

Ivan KOSYNETS

97-105
- PDF (Українська)
GENRE AND INTONATION SPECIFICITY OF «ADRIANA LECOUVREUR» BY F. CHILEA AND THE TRADITIONS OF VERIST MUSICAL THEATER

Antonina KULIIEVA

106-112
- PDF (Українська)
MODERN ASPECTS OF VOCAL ART: FROM TRADITION TO INNOVATION

Valentyn KUPCHYK, Tetiana MAZUR, Vasyl SEMENCHUK

113-119
- PDF (Українська)
INFLUENCE OF HIEROGLYPHIC WRITING ON VOCAL PHRASING AND ACCENTUATION

Lee DESHUN

120-126
- PDF (Українська)
CHOPIN SOCIETIES AND POLISH CULTURAL ORGANIZATIONS IN EAST AND SOUTHEAST ASIA

Danli LIN

127-134
- PDF (Українська)
THE IMAGE OF ORPHEUS IN THE SPIRITUAL AND AESTHETIC SPACE OF GERMAN-AUSTRIAN MUSICAL CULTURE OF THE MODERN ERA

Olha MURAVSKA

135-143
- PDF (Українська)
SOLO SINGING «ASTERS» BY MYKOLA LYSENKO (POEM OLEKSANDR OLES) INTERPRETED BY MARІIA STEFIUK

Xu NA

144-149
- PDF (Українська)
DISTANT VOCAL FOR ACTORS: A COMBINATION OF TRADITIONAL AND INNOVATIVE APPROACH

Zhanna NIMENSKA

150-155
- PDF (Українська)
REFLECTION AS AN INTEGRAL COMPONENT OF PROFESSIONAL SELF-AWARENESS IN THE PROCESS OF VOCAL TRAINING

Nataliia OVSIIUK, Olena MAKOVINSKA

156-160
- PDF (Українська)
LUCANO FANCELLI – THE CREATIVE GENIUS OF THE ITALIAN ACCORDIONIST-INNOVATOR

Tetiana PASICHYNSKA, Larysa SHEMET

161-166
- PDF (Українська)
ANCIENT UKRAINIAN CAROLS IN THE LIGHT OF COMPARATIVE MUSICOLOGY

Andriy POTSELUIKO

167-172
- PDF (Українська)
THE SOUND OF THE ERA: THE REFINED STRUCTURE OF W. A. MOZART’S PIANO TRIO IN E-DUR

Oleksandr RUDENKO

173-179
- PDF
RHYTHM AND INTONATION SPECIFICITY OF CHORAL WORKS BY VOLODYMYR ZUBYTSKYI: PERFORMANCE TASKS (ON THE EXAMPLE OF THE WORK «KOLOMYIKA»)

Pavlo SELINSKYI

180-187
- PDF (Українська)
THE CATEGORY OF «COMPOSER’S PORTRAIT» IN A MUSICAL TEXT AS AN OBJECT OF MUSICOLOGICAL RESEARCH

Iryna SEREDIUK, Yaroslava BARDASHEVSKA

188-193
- PDF (Українська)
SONATAS BY DOMENICO SCARLATTI IN THE MODERN GUITAR REPERTOIRE

Victoria SOLOGUB

194-200
- PDF (Українська)
VIKTOR KOSENKO’S SECOND AND THIRD PIANO SONATAS, PERFORMERS PERSPECTIVE

Rostyslav FEDYNA

201-207
- PDF (Українська)
STYLISTIC AND PERFORMANCE ASPECTS OF RAGTIME IN THE INSTRUMENTAL GENRE

Myroslav FYLYPCHUK, Dmytro MAZUR, Oleksandr ZAKHODYAKIN

208-214
- PDF (Українська)
PRACTICAL ASPECTS OF PERFORMING TRAINING FOR STUDENTS IN THE ACCOMPANIST CLASS

Natalia TSYULYUPA, Zhanna DAIUK, Viktoriia LEVKIVSKA

215-220
- PDF (Українська)
REQUIEMS BY J. G. RHEINBERGER: SPIRITUAL, STYLISTIC AND PERFORMANCE ASPECTS

Halyna SHPAK

221-227
- PDF (Українська)
VIKTOR KOSENKO’S COMPOSITIONAL ACTIVITY ON THE EXAMPLE OF A PIANO CONCERTO WITH AN ORCHESTRA

Oleksandr SHUMAKOV, Yelizaveta SHUMAKOVA

228-232
- PDF (Українська)
FREDERIC CHOPIN’S IMPROMPTUS: PERFORMANCE ASPECT

Yelizaveta SHUMAKOVA

233-237
- PDF (Українська)

FINE ARTS, DECORATIVE ARTS, RESTORATION

STREET-ART AS A NEW ARTISTIC PRACTICE IN THE ARCHITECTURAL ENVIRONMENT OF LUTSK

Oleksandr BERLACH, Tatyana PROKOPOVICH

238-246
- PDF (Українська)
THE IMPACT OF DIGITAL TECHNOLOGIES ON ART HISTORICAL SUPPORT OF AUCTIONS: CHALLENGES AND PROSPECTS

Maryan BESAHA

247-255
- PDF (Українська)
SACRED ARCHITECTURE OF UKRAINE IN THE CREATIVITY OF YURI KHYMYCH

Olexiy ZHADEIKO

256-262
- PDF (Українська)
CULTURAL AND ARTISTIC DIALOGUE BETWEEN UKRAINE AND CHINA DURING UKRAINE’S INDEPENDENCE. MYKHAILO HUYDA’S WORK AS A CULTURAL LINK BETWEEN UKRAINE AND CHINA

Rao YІ

263-268
- PDF (Українська)
BIOCLIMATIC MODELING: INTERPRETING THE CLASSIFICATION OF DESIGN OBJECTS

Ru CHANGPU, Olga KRIVENKO

269-274
- PDF (Українська)
TYPES OF CURATORIAL STRATEGIES IN CONTEMPORARY WESTERN ART: AUTONOMY, MEDIATION, CO-AUTHORSHIP

Valeriy ZAVERSHYNSKY

275-283
- PDF (Українська)
DIGITAL ART WORKS AS COLLECTIBLES

Kostiantyn ISHCHENKO

284-290
- PDF (Українська)
USING DIGITAL TECHNOLOGIES FOR DOCUMENTING AND PRESERVING CULTURAL VALUES DURING WAR

Andrii MATIOS

291-297
- PDF (Українська)
INTEGRATING PRACTICING PROFESSIONALS’ EXPERTISE INTO ART EDUCATION

Nataliia MENDERETSKA

298-304
- PDF (Українська)
ARTISTIC FEATURES OF WOODEN SHUTTERS OF CHERNIHIV REGION OF THE 19TH AND FIRST HALF OF THE 20TH CENTURIES

Andriі POSTOL, Olena PRYNTSEVSKA

305-311
- PDF (Українська)
GRAPHIC DESIGN AND UNIVERSALITY: THE IMPACT OF INCLUSIVE APPROACHES ON THE PERCEPTION OF VISUAL CONTENT

Mykola POTAPENKO, Oleksandr DEMYDENKO, Vitaliy KRUGLYAK, Anna POTAPENKO

312-318
- PDF (Українська)
ACADEMIC FINE ARTS OF VOLYN FROM THE SECOND HALF OF THE 20TH CENTURY TO MODERN TIMES: A REVIEW OF PERSONALITIES

Taras STEPANCHUK

319-326
- PDF (Українська)

CULTURAL STUDIES

IMAGOTYPES OF UKRAINIANS IN HOLLYWOOD AUDIOVISUAL WORKS (1991–2021)

Oleh VERBIN

327-334
- PDF (Українська)
TRANSFORMATION OF THEATRICAL PRACTICES IN THE CONTEXT OF 21ST CENTURY CULTURE SUMMARY

Volodymyr HORYSLAVETS, Yevhen HORYSLAVETS

335-340
- PDF (Українська)
MODERN FOLKLORE AS A FORM OF POPULAR CULTURE IN CONTEMPORARY UKRAINIAN REALITIES: A CULTURAL ANALYSIS

Inna HUROVA

341-349
- PDF (Українська)
ANIMATION PRACTICES IN MUSEUMS AS A TOOL FOR POPULARIZING CULTURAL HERITAGE

Vitaliy DMYTRENKO, Vita DMYTRENKO

350-355
- PDF (Українська)
THE AESTHETICS OF MAKEUP IN THE SCENIC IMAGES OF TRADITIONAL JAPANESE KABUKI THEATER

Antonina KIKOT, Anatolii SHCHERBAN

356-362
- PDF (Українська)
MEDIA CULTURE AND ITS INFLUENCE ON THE FORMATION OF SOCIAL VALUES

Mykola LEVCHENKO, Boris CHUPRYNA, Diana KUZIAKINA

363-369
- PDF (Українська)
JOURNALISTIC HERITAGE OF NESTOR NYZHANKIVSKYI (UNDER THE PEN NAME OTSEN R.)

Uliana MOLCHKO

370-376
- PDF (Українська)
IMPACT OF DIGITAL INFORMATION TECHNOLOGIES ON TRANSFORMATIONS IN THE CULTURAL SPHERE

Andrii PARKHOMENKO, Stanislav SUMIATIN

377-386
- PDF (Українська)
SOCIOCULTURAL ASPECTS OF CHINESE SOCIETY DEVELOPMENT: TRADITIONS AND INNOVATIONS

Oksana PETINOVA, Kateryna TKACHENKO

387-398
- PDF (Українська)
INTERNET SPACE AS AN ENVIRONMENT FOR THE FORMATION OF MEDIA CULTURE OF AN INDIVIDUAL

Viktoriia PISHCHANSKA

399-407
- PDF (Українська)
CHORAL STYLE OF Y. ISCHCHENKO IN THE VALUE CONTEXT OF UKRAINIAN MUSICAL CULTURE

Mykola PUCHKO-KOLESNYK

408-413
- PDF (Українська)
ABOUT THE DEFINITION OF THE TERM «ECOSYSTEM OF TRADITIONAL CULTURE» (IN THE CONTEXT OF INTERETHNIC COMMUNICATIONS OF THE NATIONAL COMMUNITIES OF UKRAINE)

Volodymyr SINELNIKOV

414-421
- PDF (Українська)
TYPOGRAPHY AS A TOOL OF SOCIAL COMMUNICATION IN UKRAINIAN POSTER ART

Yurii SOSNYTSKYI

422-429
- PDF (Українська)
MUSEUMS OF THE FUTURE: HOW VR, AR, AND INTERACTIVE TECHNOLOGIES ARE CHANGING THE PERCEPTION OF ART

Denys SUCHKOV, Oleksii KRASNENKO, Oleksandr LISHAFAI

430-437
- PDF (Українська)
CONTAMINATION OF THE SACRED AND THE TRIVIAL IN CONTEMPORARY CULTURAL PRACTICES

Angelika TATARNIKOVA

438-445
- PDF (Українська)
IDEOLOGICAL AND MENTAL PECULIARITIES OF TRADITIONAL UKRAINIAN EMBROIDERY

Dmytro TITOR, Viktor SHOSTAK

446-451
- PDF (Українська)
GLOBALIZATION AND CONSUMER CULTURE: CHANGING AUDIENCES AND TRANSFORMING UKRAINIAN CULTURAL AND ARTISTIC PRACTICES

Mykhailo SHVETS

452-464
- PDF (Українська)
“CULTURE”, “CULTURAL POLICY”, “CULTURAL SPACE” IN THE CONTEXT OF UKRAINE’S GOVERNANCE MODEL

Viktor SHOSTAK, Olha MOSKVYCH

465-470
- PDF (Українська)

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