No. 5 (2025): Fine Art and Culture Studies

Fine Art and Culture Studies. Lutsk: Lesya Ukrainka Volyn National University, 2025. № 5. 466 p.
Founder: Lesya Ukrainka Volyn National University
Recommended for printing: 29.12.2025

DOI: https://doi.org/10.32782/facs-2025-5

Published: 2025-12-30

Full Issue

Завантажити номер одним файлом (Українська)

MUSICAL ART

VOCAL AND STAGE IMAGE OF TOSCA – BETWEEN ROMANTIC AND VERIST ROLES

Tetiana ANISIMOVA

3-9
- PDF (Українська)
GENRE INTERPRETATIONS OF VOLODYMYR IVASYUK’S FAMOUS COMPOSITIONS BY CONTEMPORARY PERFORMERS

Nataliia BORYSENKO

10-16
- PDF (Українська)
VALUE-WORLDVIEW FOUNDATIONS AND REFLEXIVITY OF THE CHOIRMASTER IN THE UKRAINIAN CONTEXT OF CULTURAL RESILIENCE

Oleksandr VILA-BOTSMAN

17-23
- PDF (Українська)
FIVE MAZURKAS BY VIKTOR KOSENKO

Nataliia GORETSKA, Yurii POPOV

24-32
- PDF (Українська)
THE IMPACT OF ARTURO SANDOVAL’S WORK ON JAZZ MUSICIANS AT THE TURN OF THE 20TH–21ST CENTURIES

Artem DMYTRYCHENKOV

33-37
- PDF (Українська)
THE PHENOMENON OF ARTISTIC INTEGRITY IN THE INSTRUMENTAL SUITE

Junhan JIA

38-44
- PDF (Українська)
TRANSCRIPTIONS AND ARRANGEMENTS AS AN EXPANSION OF THE VIOLA REPERTOIRE

Iryna ZHURENKO

45-52
- PDF (Українська)
FEMALE VOCAL IDENTITY IN CONTEMPORARY POP: NEW PERFORMANCE STRATEGIES AND DECONSTRUCTION OF GENDER STEREOTYPES

Nataliia KOVMIR, Pavlo ZIBROV, Anna BURLAKA

53-65
- PDF (Українська)
TRANSCRIPTION IN GLOBAL CYMBALOM ART OF THE FIRST QUARTER OF THE 21ST CENTURY: PERFORMANCE ASPECT

Mykhailo KUZHBA, Kateryna LOZENKO, Olha YURCHENKO

66-74
- PDF (Українська)
FORMATION OF THE QUARTET PERFORMER: THE ART OF ENSEMBLE INTERACTION AND CONTEMPORARY PEDAGOGICAL ASPECTS

Emma KUPRIYANENKO, Stanislav KUCHERENKO

75-82
- PDF (Українська)
ORCHESTRAS OF FOLK INSTRUMENTS IN LUTSK: FORMATION AND DEVELOPMENT

Volodymyr KUCHERUK

83-91
- PDF (Українська)
THE EVOLUTION OF MEL BONIS COMPOSITIONAL STYLE IN THE CONTEXT OF THE FRENCH MUSICAL TRADITION OF THE LATE XIX AND EARLY XX CENTURIES

Natalya LAVRYK, Oksana ANDRIIANOVA

92-98
- PDF (Українська)
GENRE AND STYLE BASICS OF O. NAZARENKO’S WORKS FOR THE BUTTON ACCORDION (BASED ON THE SONG “INDIAN SUMMER” BY T. MARKOVA)

Oleksandr LYTVYSHCHENKO

99-104
- PDF (Українська)
CHINESE FOLK INSTRUMENTAL COMPOSITION 'COLORFUL CLOUDS IN PURSUIT OF THE MOON' IN PIANO TRANSCRIPTION BY WANG JIANZHONG AND TRANSCRIPTIONS FOR ORCHESTRA OF TRADITIONAL INSTRUMENTS: INTERACTION OF NATIONAL AND EUROPEAN TRADITIONS

Qi LI

105-112
- PDF (Українська)
THE CONCEPT OF THE SOUND IMAGE IN THE CONTEXT OF SCHOLARLY REFLECTION: MULTIVECTOR INTERPRETATIONS

Qian LI

113-119
- PDF (Українська)
THE GENRE AND STYLE DIMENSION OF THE PIANO CYCLE BY R. HAHN ”LE ROSSIGNOL ÈPERDU”

Ivan LOHVIN

120-129
- PDF (Українська)
SOUND DESIGN AS AN ARTISTIC AND TECHNOLOGICAL PHENOMENON: CINEMA, THEATRE, VIDEO GAMES

Nazarii LIUBINETS

130-137
- PDF (Українська)
PARADIGMS OF WESTERN EUROPEAN MUSICAL PROFESSIONALISM: ANCIENT AND MEDIEVAL STAGES OF FORMATION

Ostap MAYCHYK

138-144
- PDF (Українська)
KOLYMA CHRISTMAS (ON THE EXAMPLE OF THE ANALYSIS OF “PRELUDE AND FUGUE IN F-SHARP MINOR” NO. 8 FROM THE CYCLE “24 PRELUDES AND FUGUES” BY V.P. ZADERATSKY)

Natalya MAKAROVA

145-156
- PDF (Українська)
THE INFLUENCE OF NATIONAL CHORAL ART TRADITIONS ON THE FORMATION OF PROFESSIONAL COMPETENCIES OF FUTURE MUSIC TEACHERS

Mariia NAUMENKO, Alina STEPANIUK

157-163
- PDF (Українська)
STYLISTIC FEATURES OF THE INTERPRETATION OF GIOVANNI BOTTESINI'S CONCERTO NO. 2 IN B MINOR FOR DOUBLE BASS AND ORCHESTRA

Andriy NIKOLENKO

164-170
- PDF (Українська)
ANATOLIY NIKIFORUK'S CREATIVE ACTIVITY IN THE ASPECT OF THE THEORETICAL CONCEPT OF UNIVERSALISM OF THE CREATIVE PERSONALITY

Valerii PRYKHODKO

171-179
- PDF (Українська)
GENRE AND INTONATIONAL SPECIFICITY OF UKRAINIAN MUSICAL NEO-ROMANTICISM IN YURIY OLIYNYK'S “ROMANTIC” CONCERTO FOR BANDURA AND ORCHESTRA

Viktoriia SAKALY

180-186
- PDF (Українська)
JAZZ FUSION IN THE WORK OF KENNY GARRETT

Mykhailo SYDORENKO

187-191
- PDF (Українська)
VOCAL AND STAGE ART OF THE THEATRE “BEREGYNYA” IN THE DIMENSIONS OF THE POST-FOLKLORE ERA

Ivan SINELNIKOV, Ilina HENSITSKA-SEMENTSOVA, Petro ANDRIICHUK

192-203
- PDF (Українська)
TRADITIONAL SINGING IN CONTEMPORARY UKRAINIAN VOCAL-STAGE CULTURE: INTERPRETIVE STRATEGIES AND TRANSFORMATIONAL PRACTICES

Valentyna SINELNIKOVA, Tetiana SHNURENKO, Tetiana SHKOLNA

204-217
- PDF (Українська)
MINIATURES FOR DOMRA SOLO BY B. MIKHIEIEV: GENRE-STYLISTIC AND PERFORMATIVE FEATURES

Kseniia SLIPCHENKO

218-222
- PDF (Українська)
PERFORMATIVE-IMPROVISATIONAL THINKING IN THE FOCUS OF SCIENTIFIC DISCOURSE

Ivan STEPANENKO

223-228
- PDF (Українська)
INTERPRETATION OF THE SOUND IMAGE OF THE LUTE IN CONTEMPORARY GUITAR PERFORMANCE (BASED ON GIOVANNI GIROLAMO KAPSBERGER’S “CANARIO”)

Ihor TARNOVETSKYI, Volodymyr DOTSENKO, Svitlana SHCHELKANOVA

229-236
- PDF (Українська)
SPECIFIC FEATURES OF CONCERTMASTER ACTIVITY IN STUDENTS’ PROFESSIONAL TRAINING

Olena TITOVA, Ihor SUBOTNYTSKYI, Viktor CHERNII

237-243
- PDF (Українська)
INTERACTION BETWEEN PIANIST AND STRING PLAYER IN CHAMBER ENSEMBLE SETTING: TECHNOLOGICAL ASPECT

Iryna TOVARNYTSKA

244-250
- PDF (Українська)
HISTORICAL, CULTURAL AND ARTISTIC DETERMINANTS OF THE DEVELOPMENT OF FOLK ORCHESTRAL ART IN THE KHARKIV REGION

Kostiantyn TRYKOZIUK

251-260
- PDF (Українська)
TRANSFORMATION OF CHINA’S PIANO CULTURE: CONCEPTS OF ADAPTATION, HYBRIDITY, AND CULTURAL SYNTHESIS

An TIAN

261-267
- PDF (Українська)
“HOMIN” CHOIR – AT THE INTERSECTION OF MANAGEMENT AND MARKETING

Vasyl CHEPELIUK, Vasyl MOISIYUK, Nataliya TSEIKO

268-279
- PDF (Українська)
THE IMAGE OF GRIMWALD IN THE OPERA “RODELINDA” BY H. F. HANDEL

Jingtao ZHAO

280-285
- PDF (Українська)
32 DM. BORTNYANSKY'S CONCERT INTERPRETED BY K. PIGROV: SPIRITUAL, STYLE AND PERFORMANCE ASPECTS

Halyna SHPAK

286-293
- PDF (Українська)

FINE ARTS, DECORATIVE ARTS, RESTORATION

FORMATION OF A GRAPHIC ARTISTIC IMAGE IN DRAWING CLASSES DURING SUMMER PLENARY PRACTICE

Oleksandr BERLACH, Oksana LESIK-BONDARUK

294-299
- PDF (Українська)
THE PLOT AND DECORATIVENESS OF THE BAROQUE AND THE “GOLDEN AGE” OF DUTCH ART

Tetiana BILAN

300-305
- PDF (Українська)
TEACHING EASY COMPOSITION: METHOD, TOOLS, SKILLS NECESSARY FOR WRITING A THEMATIC PAINTING

Mykola BOLYUKH

306-311
- PDF (Українська)
TEACHING DRAWING TO DESIGNERS IN HIGHER EDUCATION: METHODOLOGICAL ASPECTS

Olha HLADUN, Maksym HLADKO, Volodymyr KRYVONOS

312-320
- PDF (Українська)
ACADEMIC DRAWING IN THE DIGITAL AGE: CONTEXTUAL PRACTICES AND EDUCATIONAL STRATEGIES

Oksana PUSHONKOVA, Valentyna MOVCHAN

321-328
- PDF (Українська)
MENTORS AND TEACHERS OF SERHII NECHYPORENKO: ARTISTIC INFLUENCES AND THE PROFESSIONAL ENVIRONMENT OF THE ARTIST’S FORMATION

Lyudmyla TYKHONOVA

329-339
- PDF (Українська)
PRINCIPLES OF FORMATION IN CONTEMPORARY DESIGN: BETWEEN FUNCTIONALITY AND AESTHETICS

Maxim FEDOSENKO

340-344
- PDF (Українська)
BETWEEN TRADITION AND INNOVATION: THE SYNTHESIS OF DRAWING, PAINTING, AND DIGITAL TECHNOLOGIES IN THE FORMATION OF ARCHITECTURAL THINKING

Kostiantyn KHIVRENKO

345-350
- PDF (Українська)
BETWEEN THE SACRED AND THE PROFANE: RELIGIOUS THEMES OF STREET ART IN POLAND

Ruslana SHERETIUK

351-357
- PDF (Українська)

CULTURAL STUDIES

NET ART PRACTICES THROUGH THE PRISM OF POSTMODERNIST CONCEPTS

Oleksandr AFANASIEV

358-366
- PDF (Українська)
THE INFLUENCE OF ASIAN CULTURAL SPACE ON POPULAR CULTURE IN THE 21ST CENTURY

Yaroslav BILYK, Аnna BILYK

367-373
- PDF (Українська)
INTERNATIONAL EXHIBITION PRACTICES OF CONTEMPORARY UKRAINIAN ART: NEW FUNCTIONAL DIMENSIONS IN THE CASE OF THE EXHIBITION “UKRAINE. UNDER A DIFFERENT SKY”

Serhiy HAVRYLOVYCH

374-384
- PDF
MEMORY IN THE STRUCTURE OF THE MODERN CULTURAL THESAURUS: PHILOSOPHICAL AND ARTISTIC ANALYSIS

Mariya KALASHNYK, Ganna KHIRINA

385-391
- PDF (Українська)
THE TRIUNE NOTE OF THE HEART: TRIISTRA’S PATH INTO THE UKRAINIAN SOUND WORLD

Alfred MAZUR

392-400
- PDF (Українська)
APPROACHES TO THE CLASSIFICATION OF INTANGIBLE CULTURAL HERITAGE IN UKRAINE

Dmytro MOKRIY

401-410
- PDF (Українська)
STRUCTURAL AND EXPRESSIVE POTENTIAL OF COMIC ONOMATOPOEIA IN THE CONTEXT OF MUSICAL ART

Illia PROKOPENKO

411-421
- PDF (Українська)
PINA BAUSCH’S CHOREOGRAPHIC ART AS A PRACTICE OF THE CULTURE OF INTERACTION

Heorhii SYRBU

422-431
- PDF (Українська)
NATIONAL COMMUNITIES OF ZHYTOMYR POLISSIA: A HISTORICAL AND CULTUROLOGICAL REVIEW OF INTERETHNIC INTERACTION IN THE CONTEXT OF THE ECOSYSTEM APPROACH

Volodymyr SINELNIKOV

432-440
- PDF (Українська)
MORALAND VALUE BASES OF RELIGIOUS ETHICS AS A FACTOR OF SPIRITUAL SELF-DETERMINATION OF A PERSONALITY: PHILOSOPHICAL AND CULTURALANALYSIS

Oksana SOKHATSKA

441-448
- PDF (Українська)
FORMATION OF STUDENTS' WORLVIEW CULTURE IN THE PROCESS OF STUDYING INTEGRATED CULTURAL DISCIPLINES: METHODOLOGICAL METHODOLOGICAL ASPECTS

Oksana SOKHATSKA, Viktoriia HOLOVEY, Olha MOSKVYCH

449-457
- PDF (Українська)

No. 5 (2025): Fine Art and Culture Studies

Full Issue

MUSICAL ART

FINE ARTS, DECORATIVE ARTS, RESTORATION

CULTURAL STUDIES

Language