Fine Art and Culture Studies

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Vol. 2 No. 3 (2025): Fine Art and Culture Studies

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Fine Art and Culture Studies. Lutsk: Lesya Ukrainka Volyn National University, 2025. № 3, v. 1. 294 p.
Founder: Lesya Ukrainka Volyn National University
Recommended for printing: 28.08.2025

Published: 2025-08-28

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MUSICAL ART

THE STAGES OF DEVELOPMENT OF CHINESE SYMPHONY IN THE PROJECTION ON THE WORK OF MA SIKONG

Shangming XU

3-8
- PDF (Українська)
KITCH AS A PHENOMENON OF CONTEMPORARY NATIONAL POP VOCAL ART

Tamara TESLER, Svitlana GMYRINA, Tetiana LANINA

9-15
- PDF (Українська)
MUSICAL THEMATICISM IN SECONDARY INTONATION: PROJECTIONS ONTO THE POP INTERPRETATION SITUATION

Nataliia TORKONIAK

16-21
- PDF
CO-CREATION OF “GERDAN” BANDURA QUARTET AND MILITARY JOURNALIST RUSLAN HANUSHCHAK: EXPERIMENTAL FORMS OF ARTISTIC COLLABORATION

Nataliia FEDORNIAK

22-29
- PDF (Українська)
PECULIARITIES OF THE DEVELOPMENT OF THE ODESA VOCAL SCHOOL IN THE SECOND HALF OF THE 20TH CENTURY (BASED ON THE ACTIVITIES OF THE OPERA STUDIO OF THE A. V. NEZHDANOVA ODESA NATIONAL MUSIC ACADEMY)

Oleksandr FILIPPOV

30-36
- PDF (Українська)
AUTHORSHIP IN ACTION: THE TRANSFORMATION OF THE PERFORMERʼS ROLE IN CONTEMPORARY CHAMBER MUSIC

Sirui HOU

37-44
- PDF (Українська)
STYLISTIC FEATURES OF THE SCREEN PRESENTATION OF A MASTER CLASS BASED ON CHRISTIAN BERGER’S DOCUMENTARY FILM “MISSION “MOZART”: LANG LANG AND NIKOLAUS HARNONCOURT”

Olena SHEMIAKINA

45-52
- PDF (Українська)
THE PIANO CONCERTO IN THE CONTEXT OF THE EVOLUTION OF PIANO REPERTOIRE

Oleksandr SHUMAKOV

53-59
- PDF (Українська)
SYMPHONIC WORKS BY IVAN NEBESNYI: A GENRE AND STYLE ASPECT

Olena YAKYMCHUK

60-66
- PDF (Українська)
CHU WANGHUA’S BARCAROLLE: GENRE TRANSFORMATION AT THE CROSSROADS OF CULTURES

Jinlin YANG

67-75
- PDF (Українська)

FINE ARTS, DECORATIVE ARTS, RESTORATION

PSYCHOLOGY OF ARTISTIC CREATIVITY IN THE FINE ARTS

Mykola BOLYUKH

76-82
- PDF (Українська)
THE ARTISTIC LEGACY OF IVAN PARYPA IN THE CONTEXT OF THE ARTISTIC TRANSFORMATION OF METALWORK IN THE CARPATHIAN REGION

Vitalii HORODETSKYI

83-90
- PDF (Українська)
DIGITAL DRAWING AS A COMPONENT OF STUDENT’S INDEPENDENT WORK IN THE PROFESSIONAL TRAINING OF FUTURE SPECIALISTS

Natalia DIHTYAR, Tetyana RUDENKO, Tetiana SAIENKO

91-97
- PDF (Українська)
FORMATION OF THE YUNNAN SCHOOL OF PAINTING IN CHINA IN THE FIRST AND SECOND THIRD OF THE 20TH CENTURY: FROM THE “PARISIAN” TO THE “SOCIALIST REALIST” ARTS

Yevgen KOTLYAR, Heng ZHANG

98-112
- PDF (Українська)
YURII BARANNIK: GALLERIST, ARTIST, CURATOR, BEARER OF AN EDUCATIONAL MISSION

Hanna LYSENKO, Oleh RIABCHENKO

113-119
- PDF (Українська)
INTERCULTURAL CODES IN DIRECTING SHOWS AND ART PROJECTS: LOCAL AND GLOBAL

Krystyna NASTACHENKO, Oleksii NASTACHENKO, Alla GIKHONK

120-127
- PDF (Українська)
THE SERIES OF WORKS BY STAS ZHALOBNIUK FROM THE PROJECT “RADIANCE” – A LANDMARK ACQUISITION FOR THE COLLECTION OF THE DNIPRO ART MUSEUM

Sergii NESMACHNYI, Volodymyr SHOSTAKOVYCH, Olena KAPSHUKOVA

128-135
- PDF (Українська)
CONTEMPORARY ART AS A FACTOR IN THE REVITALIZATION OF URBAN SPACES

Tetiana PROKOPOVYCH, Nan LI

136-141
- PDF (Українська)
MINIMALISM AS A KEY TREND AND CREATIVE STYLE IN THE SPHERE OF CONTEMPORARY ART

Tetiana PROKOPOVYCH, Jinmiao ZHANG

142-149
- PDF (Українська)
AESTHETIC AND CULTURAL ASPECTS OF THE REPRESENTATION OF 20TH–21ST CENTURY FINE ART IN MUSEUM PRACTICES OF VOLYN: BETWEEN TRADITION AND MODERNITY

Taras STEPANCHUK, Natalia STOLYARCHUK

150-156
- PDF (Українська)

CULTURAL STUDIES

THE ORIGINS OF UKRAINIAN STAND-UP AS A CULTURAL PHENOMENON

Oleksandr AVDEIEV

157-164
- PDF (Українська)
MEDIA AS AN ENVIRONMENT FOR IDENTIFICATION: GLOBAL CHALLENGES AND LOCAL RESPONSES

Maryna BAIDA

165-171
- PDF (Українська)
COLLISION OF PRIVATE AND PUBLIC SPACES IN A POST-SOVIET CITY: METHODOLOGICAL ANALYSIS PROSPECT

Yevheniia BUTSYKINA

172-180
- PDF (Українська)
RUSSIAN-UKRAINIAN CULTURAL CONFLICT: WAR AND/OR GENOCIDE?

Rinat VALIEV

181-188
- PDF (Українська)
CULTURAL SAMPLING IN THE STRUCTURE OF CULTURAL ANALYTICS BY LEV MANOVYCH

Olena VENGER

189-197
- PDF (Українська)
THE PROBLEM OF UKRAINE’S REPRESENTATION IN GLOBAL CINEMA: AN ACADEMIC DISCOURSE

Oleh VERBIN

198-204
- PDF (Українська)
STUDIO PRACTICE AND SPONTANEITY: A CULTURAL MODEL FOR THEATER ARTIST TRAINING IN THE 21ST CENTURY

Volodymyr HORYSLAVETS, Yevhen HORYSLAVETS

205-212
- PDF (Українська)
TRANSFORMATIONS OF INTELLECTUALS’ ACTIVITIES IN THE PUBLIC SPACE OF MASS MEDIA

Arsen HREBENIUK

213-219
- PDF (Українська)
LOGIC, MUSIC AND RHETORIC AS A MEANS OF SHAPING PERSONALITY AND ITS LIFE ACTIVITY IN THE CONTEXT OF CONTEMPORARY SOCIO-CULTURAL TRANSFORMATIONS

Mariya KALASHNYK, Ganna KHIRINA, Yurii NOVIKOV

220-231
- PDF (Українська)
ON THE QUESTION OF PARODY AS A FORM OF CULTURAL CRITICISM (FOREIGN AND UKRAINIAN CONTEXTS)

Andrii KASIANENKO

232-238
- PDF (Українська)
IDENTITY CRISIS IN THE DIGITAL AGE: BETWEEN AUTHENTICITY AND AI ALGORYTHMS

Viktoriia OKHRYMOVYCH

239-244
- PDF (Українська)
CULTURAL EXPERTISE AND CULTURAL ANALYTICS AS SOCIO-CULTURAL PRACTICE IN CONDITIONS OF INSTABILITY

Tamila PRYHODA-DONETS

245-250
- PDF (Українська)
DIGITUS MOTION AS INFORMATIONAL AND COMMUNICATIVE INTEGRITY OF FORMATION

Andrii RUDYI

251-256
- PDF (Українська)
FORMATION OF MORAL AND ETHICAL VALUES IN YOUTH WITHIN THE AMERICAN CULTURAL AND RELIGIOUS PARADIGM

Nataliia STOLIARCHUK, Viktor SHOSTAK, Yana KONDRATYUK

257-265
- PDF (Українська)
DOCUMENTARY CINEMATOGRAPH AND ACTIONISM AS COMPONENTS OF UKRAINIAN CULTURAL DIPLOMACY IN THE TIMES OF THE FULL-SCALE WAR

Oleksiy KHOVPUN

266-273
- PDF (Українська)
MUSEUM EXHIBITION “SHIRT IN TREND” AS A MEANS OF REPRESENTING CULTURAL HERITAGE MANAGEMENT

Svitlana CHYBYRAK, Lyudmila MIROSHNYCHENKO-HUSAK

274-279
- PDF (Українська)
ARTISTIC INTERPRETATION OF CHAOS THEORY

Petro SHOPIN

280-286
- PDF (Українська)

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