No. 6 (2025): Fine Art and Culture Studies

Fine Art and Culture Studies. Луцьк: Волинський національний університет імені Лесі Українки, 2025. № 6. 478 с.
Засновник: Волинський національний університет імені Лесі Українки
Ухвалено до друку: 29 грудня 2025 р.

DOI: https://doi.org/10.32782/facs-2025-6

Published: 2025-12-31

Full Issue

Завантажити номер одним файлом (Українська)

MUSICAL ART

INTERACTIVE FORMATS OF THE 21ST-CENTURY CHORAL EVENT: TYPOLOGY AND DIRECTING AUDIENCE ENGAGEMENT

Oleksandr VILA-BOTSMAN

3-10
- PDF (Українська)
DEVELOPMENT OF SOFT SKILLS IN THE PROCESS OF CHAMBER ENSEMBLE PERFORMANCE

Oleksii VOLYK

11-17
- PDF (Українська)
HISTORICALLY INFORMED PERFORMANCE AS AN INTELLECTUAL TOOL FOR THE INTERPRETATION OF BAROQUE MUSIC (CASE STUDY OF HENRY ECCLES’S SONATA IN G MINOR)

Serhiy HAVRYLYUK

18-27
- PDF (Українська)
THE SECRET MEANINGS OF PAUL HINDEMITH’S VIOLA CONCERTO «DER SCHWANENDREHER»

Anton HORODETSKYI

28-35
- PDF (Українська)
HISTORY AND METHODOLOGY OF VIOLIN PLAYING IN THE 18TH CENTURY IN LEOPOLD MOZART’S TREATISE BASED ON THE INTRODUCTION AND HISTORICAL SECTION OF THE WORK

Irina HREBNIEVA

36-43
- PDF (Українська)
MODERN METHODS OF FORMING VOCAL AND CHORAL SKILLS AMONG STUDENTS OF HIGHER EDUCATION INSTITUTIONS

Ihor HRYSHCHENKO

44-49
- PDF (Українська)
PIANO PERFORMANCE TRAINING FOR POP VOCALISTS

Dzvina HUSAR, Nataliia TOLOSHNIAK

50-56
- PDF (Українська)
TRENDS OF ACCORDION MUSIC IN THE CREATIVE WORK OF UKRAINIAN COMPOSERS OF THE 21ST CENTURY

Roman DYDYK

57-67
- PDF (Українська)
TRANSFORMATION OF MUSICAL SPACE IN CHAMBER AND INSTRUMENTAL MUSIC OF THE 20TH AND EARLY 21ST CENTURIES

Liudmyla ZYMA

68-74
- PDF (Українська)
LOGIC OF DISSONANCE AND RHYTHMIC FREEDOM: THE UNIQUE STYLE OF THELONIUS MONK

Valentyn IVANOV, Olena YAKHNO

75-81
- PDF (Українська)
THE UKRAINIAN STRING QUARTET OF THE 1920S IN THE CONTEXT OF SOCIOCULTURAL TRANSFORMATIONS

Serhii KAZAKOV

82-86
- PDF (Українська)
MEANING-MAKING MODELS OF THE MOTHER ARCHETYPE IN MUSICAL ART: A JUNGIAN-HERMENEUTIC ANALYSIS

Tetiana KAPLUN

87-94
- PDF (Українська)
PEDAGOGICAL BIOGRAPHY OF FIGURES OF THE MUSICAL CULTURE OF THE DIASPORA AS AN IMPORTANT DIRECTION OF UKRAINIAN SCIENCE

Hanna KARAS

95-103
- PDF (Українська)
KINETIC MODELS OF PHRASING IN CHORAL PERFORMANCE AS A FACTOR OF ARTISTIC EXPRESSIVENESS

Liliia KACHURYNETS

104-110
- PDF (Українська)
CHORAL SCENES IN THE EMBODIMENT OF THE REBIRTH CONCEPT IN BORYS LYATOSHYNSKY’S OPERA «THE GOLDEN RING»

Viktoriia KASHAIUK, Hanna KUKHARYK

111-120
- PDF (Українська)
THE IMAGE OF A SOLOIST-ACTRESS IN FOLK-VOCAL ART: VOCALS, GESTURE, DRAMATURGY

Natalia KOVAL

121-126
- PDF (Українська)
GENRE AND STYLE MODELS IN MODERN INSTRUMENTAL PERFORMANCE

Ivan KOSYNETS, Stanislav HUMINYUK, Oksana RYDNENKO

127-134
- PDF (Українська)
SEMIOTICS OF MUSICAL SYMBOLISM IN THE ARAB TRADITION

Olena KULINICH

135-141
- PDF (Українська)
PODIL MOTIFS IN MYKOLA LASTOVETSKY’S COMPOSING CREATIVITY

Lіubomyra LASTOVETSKA

142-147
- PDF (Українська)
DIALOGUE BETWEEN CHINESE POETRY AND THE EUROPEAN MUSICAL TRADITION IN THE ART SONG (A CASE STUDY OF HUANG ZI’S «TA XUE XUN MEI»)

LIU Shijie

148-155
- PDF (Українська)
THE WINTER’S TALE AS AN INITIAL SPACE (ON THE EXAMPLE OF THE ANALYSIS OF “PRELUDE AND FUGUE IN C MINOR” NO. 20 FROM THE CYCLE “24 PRELUDES AND FUGUES” BY V. ZADERATSKY)

Natalіa MAKAROVA

156-168
- PDF (Українська)
VOCAL PERFORMANCE AS A COMBINATION OF DIFFERENT GENRES

Svitlana MANKO, Lyudmila KUDRYCH, Lyudmila KRASOVSKA

169-175
- PDF (Українська)
PERFORMING PHENOMENON OF AN ETHNO-JAZZ SINGER MARYNA YURASOVA (MLADA)

Oksana MASNYK

176-183
- PDF (Українська)
SACRED VISUALIZATION IN THE CONTEXT OF THE PERFORMANCE OF THE SPIRITUAL CHORAL WORK “PRAYER” BY HANNA GAVRILETS

Roman MACHYSHYN

184-188
- PDF (Українська)
THE PHENOMENON OF PEDAGOGICAL PRESENCE IN MUSIC EDUCATION: THE EXAMPLE OF O.M. SHCHELKANOVTSEVA

Alla MELNYK, Andriy NIKOLENKO, Oleksandr PLIUSHCH

189-196
- PDF (Українська)
THE ECUMENICAL SPACE OF CHORAL MUSIC: MILITARY EXPERIENCE IN CONTEMPORARY COMPOSITIONAL CREATIVITY

Sofiia MYHAL

197-205
- PDF (Українська)
SUITE FOR TWO VIOLINS AND PIANO, OP. 71 BY MORITZ MOSZKOWSKI AS AN EXAMPLE OF GENRE TRANSFORMATION

Oksana MITS, Emma KUPRIYANENKO

206-211
- PDF (Українська)
THE SACRED AND ETHICAL COMPONENT OF MUSICAL POSTMODERNITY (ON THE EXAMPLE OF J. TAVENER’S “THANKSGIVING AKATHIST”)

Olha MURAVSKA

212-220
- PDF (Українська)
FEATURES OF VOCAL SOUND FORMATION IN BEGINNER VOCALISTS

Vasyl NAVROTSKYI

221-228
- PDF (Українська)
PROFESSIONAL AND PSYCHOLOGICAL ASPECTS OF COLLABORATION BETWEEN A VOCALIST AND AN ACCOMPANIST

Svitlana ODAINYK

229-234
- PDF (Українська)
THE EXPERIENCE OF COLLABORATION BETWEEN DIRECTOR AND COMPOSER IN CONTEMPORARY UKRAINIAN THEATRE (BASED ON THE EXAMPLE OF MUSIC FOR OKSANA DMITRIEVA’S NEWEST STAGE PRODUCTIONS)

Kateryna PALACHOVA

235-242
- PDF (Українська)
THE ORIGINS OF RUDIMENTAL DRUMMING IN FRANCE

Leonid PETKUN

243-251
- PDF (Українська)
METHODS OF REDUCING VOCAL FATIGUE: MODERN APPROACHES TO VOICE TRAINING AND RECOVERY

Ivanna P IDHAIETSKA, Liudmyla MATSIIEVSKA, Vladyslav POLISCHUK

252-257
- PDF (Українська)
AMATEUR VOCAL ENSEMBLES AS A POPULAR FORM OF MUSIC-MAKING IN CONTEMPORARY FOLK SONG PERFORMANCE

Yelyzaveta ROHOVSKA ROHOVSKA, Valentyn FEDORCHENKO

258-263
- PDF (Українська)
FEATURES OF THE REFLECTION OF NATIONAL TRAUMA IN MUSIC (GREEK AND UKRAINIAN PARADIGM)

Iryna RIABCHUN

264-271
- PDF (Українська)
NEOCLASSIC TRENDS IN THE MUSICAL CULTURE OF FRANCE IN THE LATE 19TH – EARLY 20TH CENTURIES AS MANIFESTATIONS OF NATIONAL MENTALITY

Oleksandr SKLIAROV

272-279
- PDF (Українська)
FORMATION OF A PERFORMER’S ARTISTIC THINKING IN THE PROCESS OF MASTERING ACADEMIC SINGING

Viktor CHERNII

280-285
- PDF (Українська)

FINE ARTS, DECORATIVE ARTS, RESTORATION

THE INFLUENCE OF CARICATURE ON SOCIO-POLITICAL DISCOURSE IN EUROPEAN ART

Svitlana DOLESKO

286-292
- PDF (Українська)
A COMPARATIVE ANALYSIS OF GEOMETRIC ABSTRACTIONISM, GEOMETRIC ORNAMENT, AND DESIGN

Ihor DUTSIAK, Iryna HRYTSIUK

293-300
- PDF (Українська)
THE ROLE OF PRIVATE INSTITUTIONS IN UKRAINE IN PRESERVING AND PROMOTING TANGIBLE CULTURAL HERITAGE

KERSHYS Oleg

301-310
- PDF (Українська)
ART PRACTICES IN DESIGN AS A FACTOR IN THE FORMATION OF VISUAL CULTURE

Vadym KOZIK

311-316
- PDF (Українська)
THE WAYS OF STILL LIFE DEVELOPMENT IN CHINA DURING THE FIRST HALF OF THE TWENTIETH CENTURY

Andrii KORNIEV, Zheng LIN

317-326
- PDF (Українська)
MATERIAL AND MEDIA NARRATIVITY IN UKRAINIAN INSTALLATIONS OF THE 1990S–2020S: FEATURES OF THE UNFOLDING OF ARTISTIC NARRATIVE

Emil MAMEDOV

327-337
- PDF (Українська)
PARAJANOV’S VISUAL POETRY. EXPERIENCE OF INTERMEDIAL ANALYSIS OF THE «ORPHEUS» COLLAGE

Volodymyr TARASOV TARASOV, Natalia MARKHAYCHUK, Maryna KONIEVA

338-351
- PDF (Українська)
CARE AS A CATEGORY OF THE AESTHETICS OF CONTEMPORARY DESIGN

Maxim FEDOSENKO

352-362
- PDF (Українська)
ARTIFICIAL INTELLIGENCE IN VISUALIZATIONS OF WORKS AMVROSIY ZHDAKHА IN 1919

Olga SHKOLNA, Ostap KOVALCHUK, Nataliia SAPFIROVA

363-372
- PDF (Українська)
BOTANICAL SCULPTURE RELIEF: ART AND PEDAGOGICAL PRACTICE

Tetiana SHTYKALO

373-379
- PDF (Українська)

CULTURAL STUDIES

THE IMPACT OF RENAISSANCE PROTESTANT ICONOCLASM ON THE DEVELOPMENT OF EUROPEAN ART

Viktoria GOLOVEI

380-387
- PDF (Українська)
POST-FOLKLORE AS AN INSTRUMENT FOR THE FORMATION OF NATIONAL IDENTITY

Serhii DUDNIKOV

388-396
- PDF (Українська)
THEATRICALIZATION OF THE FASHION-SHOW AS A SEMIOTIC SYSTEM: AN OVERVIEW OF SCIENTIFIC APPROACHES

Yanina ZHUKOVA

397-402
- PDF
REPRESENTATION OF J. HUIZINGA’S PLAY-CONCEPT OF CULTURE IN THE PLOT COMPOSITION OF FILMS DEDICATED TO MASSIVELY MULTIPLAYER ONLINE ROLE-PLAYING GAMES

Oleksandr KOZORIZ

403-411
- PDF (Українська)
«PROXEMIC IDEOLOGIES»: ROLAND BARTHES AT THE COLLÈGE DE FRANCE

Vadym MIROSHNYCHENKO

412-420
- PDF (Українська)
VIRTUAL TOUR AS A MEDIA-CULTURAL FACTOR IN FORMING THE TOURIST ATTRACTIVENESS OF A REGION

Artur OPEIDA

421-427
- PDF (Українська)
MUSIC ECOLOGY AS A MODEL FOR UNDERSTANDING THE SOUND ENVIRONMENT OF CULTURE

Nataliia POPOVA

428-435
- PDF (Українська)
FEATURES OF ANTITHETIC MAKEUP IN ACTING PRACTICE (ON THE EXAMPLE OF T. BURTON’S FILM “EDWARD SCISSORHANDS”)

Oleksandra PROSKURYAKOVA, Vitaliy MIZYAK

436-442
- PDF (Українська)
FROM SUFFERING TO RESILIENCE: CHILDREN’S CHARACTERS IN WAR FILMS AND ACTION FILM AS A REFLECTION OF SURVIVAL STRATEGIES

Svitlana RYBALKO, Bohdan RUZHANSKYI

443-451
- PDF (Українська)
HISTORIOGRAPHY AND METHODOLOGICAL APPROACHES TO THE STUDY OF THE UKRAINIAN ART MARKET

Anastasiia TORMAKHOVA, Olena ALEKSIIENKO

452-459
- PDF (Українська)
THE SPECIFICS OF UKRAINIAN NATIONAL MENTALITY

Оlena YAKYMCHUK, Maryna STOLIAR, Olena KOLESNYK

460-468
- PDF

No. 6 (2025): Fine Art and Culture Studies

Full Issue

MUSICAL ART

FINE ARTS, DECORATIVE ARTS, RESTORATION

CULTURAL STUDIES

Language