No. 1 (2022): Fine Art and Culture Studies

Статті

• ARTISTIC TRANSLATION IN MUSIC AS A FACTOR OF ACADEMICIZATION OF FOLK INSTRUMENTS

  Pavlo BOVKANYUK, Michael DUDAY

  3-9

  • PDF (Українська)

• GENRE AND STYLE SPECIALIZATION OF SOLO SINGING IN M. V. LYSENKO'S MUSICAL WORKS

  Lianna BUCHOK, Maria KARALIUS, Mariya YARKO

  10-18

  • PDF (Українська)

• MUSIC ART IN THE LIGHT OF OLD CHINESE PHILOSOPHY

  Yansui WANG

  19-27

  • PDF (Українська)

• A NEW PARADIGM OF THE MODERN VIRTUAL ARTISTIC EDUCATION FROM OWN EXPERIENCE

  Myroslav HRYNYSHYN

  28-34

  • PDF (Українська)

• THE FUNCTIONAL ESSENCE OF MICROSTRUCTURAL INTONATION IN THE PROCESS OF FORMING THE MUSICIAN'S PERFORMING SKILLS

  Sergiy GRINCHENKO, Vіtalіy ZAETS

  35-42

  • PDF (Українська)

• ACADEMICIZATION OF FOLK INSTRUMENTALISM IN THE WORKS OF B. KOTIUK

  Yuriy GULYANYCH

  43-48

  • PDF (Українська)

• PERFORMING ARTS AS A SECTOR OF CREATIVE INDUSTRIES: THE MAIN TRENDS

  Vita DMYTRENKO, Vitalii DMYTRENKO

  49-53

  • PDF (Українська)

• PIANO CYCLE OF LEONID LISOVSKY “AT THE DOG EXHIBITION. SEVEN PHOTOS”: STYLE FEATURES

  Anna DROBYSH

  54-64

  • PDF (Українська)

• PSYCHOLOGICAL ASPECTS OF INTERACTION OF MUSICIANS-INSTRUMENTALISTS IN ENSEMBLE MUSIC MAKING

  Natalia ZHURAVLOVA

  65-70

  • PDF (Українська)

• FEATURES OF PROFESSIONAL TRAINING OF VOCAL ENSEMBLE LEADERS

  Anna ZARYTSKA, Andriy ZARYTSKY

  71-76

  • PDF (Українська)

• INTERMEDIAL CONNECTIONS IN MODERN CHORAL COMPOSITIONS (ON THE EXAMPLE OF V. MUZHCHYL’S PERFORMANCE «PODOLANNIA»)

  Yana KYRYLENKO

  77-82

  • PDF (Українська)

• DEVELOPMENT OF INSTRUMENTAL ENSEMBLE PERFORMANCE SKILLS

  Vladyslav KNIAZIEV

  83-90

  • PDF (Українська)

• CONTEXTUAL AND STYLISTIC SIGNS OF THE MANIFESTATION OF IDEOLOGICAL ASPECTS IN UKRAINIAN CHORAL CREATIVITY FROM THE 1930 TO 1941

  Natalia Kostіuk

  91-97

  • PDF (Українська)

• NOCTURNE E MOLL OP. 72 BY F. CHOPIN IN TERMS OF THE MAIN PEDAGOGICAL AND PERFORMANCE TASKS OF THE PIANO CLASS

  Tetyana KRYVYTSKA

  98-104

  • PDF (Українська)

• VIOLA ART OF THE «KYIV AVANT-GARDE» COMPOSERS IN THE CONTEXT OF EUROPEAN MUSICAL TRADITIONS OF THE TWENTIETH CENTURY

  Nataliia KULEBA

  105-113

  • PDF (Українська)

• INTERPRETATION OF THE ENSEMBLE IN J. BRAHMS PIANO QUARTET № 3, C-MOLL OP. 60

  Daria KUTLUIEVA

  114-120

  • PDF (Українська)

• THE INFLUENCE OF IRCAM ON THE DEVELOPMENT OF MUSIC CULTURE OF THE XX-XXI CENTURY

  Yuliia LEBID

  121-125

  • PDF (Українська)

• «KALUSH» IS A RAP GROUP AT THE STAGE OF DEVELOPMENT OF NATIONAL YOUTH HIP-HOP DIRECTION IN UKRAINIAN MODERN MUSIC

  Antonina LENDIEL-SYARKEVICH, Consuela BURMAN, Myroslav EKMAN

  126-134

  • PDF (Українська)

• MODIFICATION OF GENRES OF LITURGICAL AND PARA- LITURGICAL MUSIC IN THE WORKS OF MODERN UKRAINIAN COMPOSERS

  Iryna MATIYCHYN

  135-141

  • PDF (Українська)

• THE REFLECTION OF THE EPOCH’S ARTISTIC IMAGE IN AN ARTIST’S BIOGRAPHY

  Lesia MYKULANYNETS

  142-147

  • PDF (Українська)

• MODERNISTIC SOUND RECORDING IN BORYS LIATOSHYNSKYIʼS FIVE CHOIRS BY MAKSYM RYLSKYIʼS POEMS: STYLISTICS OF CHORAL THINKING

  Vasyl MOISIIUK, Vasyl SHKOBA

  148-156

  • PDF (Українська)

• THE STYLE OF SECESSION IN WESTERN UKRAINIAN MUSIC CULTURE OF THE EARLY TWENTIETH CENTURY

  Myroslava NOVAKOVYCH, Angela KRUGLIACHENKO, Valentyna PYLYPCHUK

  157-163

  • PDF (Українська)

• TYMOSHENKO'S EDUCATIONAL AND CONDUCTING ACTIVITIES (FROM THE EXPERIENCE OF WORK THE HONORY CHOIR CHAPEL OF UKRAINE OF THE SOUTH-WEST RAILWAY)

  Liudmula PRUDNIKOVA, Olena PRUDNIKOVA

  164-170

  • PDF (Українська)

• GENRE ORIGINS AND WORLDVIEWS OF THE GALICIAN SPIWOHRA

  Maria SYDIR

  171-179

  • PDF (Українська)

• THE UNITY OF POETIC AND MUSICAL PRINCIPLES IN THE REFLECTION OF NATURE IN CHINESE CHAMBER AND VOCAL MUSIC OF THE TWENTIETH CENTURY

  Song HANG

  180-187

  • PDF (Українська)

• SOLFEGGI IN THE EDUCATIONAL PRACTICE OF THE NEAPOLITAN CONSERVATORIES OF THE EIGHTEENTH CENTURY AS A FACTOR IN THE FORMATION OF THE STYLE OF BEL CANTO

  Ganna TVERDOVA

  188-195

  • PDF (Українська)

• CREATIVITY OF THE WDR BIG BAND ORCHESTRAL UNDER THE DIRECTION OF BOB MINSER

  Veronica TORMAKHOVA

  196-200

  • PDF (Українська)

• PECULIARITIES OF ENSEMBLE WRITING IN THE WORKS OF VALERIY TITARENKO (ON THE EXAMPLE OF PIANO ENSEMBLES)

  Yelyzaveta CHORNA

  201-205

  • PDF (Українська)