No. 3 (2024): Fine Art and Culture Studies

Fine Art and Culture Studies. Lutsk: Lesya Ukrainka Volyn National University, 2024. № 3. 290 p.
Founder: Lesya Ukrainka Volyn National University
Recommended for printing: 27.06.2024

DOI: https://doi.org/10.32782/facs-2024-3

Published: 2024-09-03

Full Issue

Завантажити номер одним файлом (Українська)

MUSICAL ART

“ZENITH” CONCERT FOR ACCORDION WITH THE ORCHESTRA BY ENRICO BLATTI IN THE CONTEXT OF LEADING DEVELOPMENT TRENDS OF THE MODERN ACCORDION ART

Oleksandr VASYLENKO

3-10
- PDF (Українська)
CREATIVE INTENTIONS OF ANNA KORSUN IN THE FIELD OF MODERN ACCORDION MUSIC

Ruslan GORBACHENKO

11-16
- PDF (Українська)
THE INFLUENCE OF CHURCH POLYPHONIC CHORAL SINGING ON UKRAINIAN CULTURAL AND NATION-BUILDING PROCESSES

Nataliia HRYNYSHYN

17-22
- PDF (Українська)
CONDUCTING-CHOREOGRAPHIC COLLABORATIONS IN STAGE PRODUCTIONS

Serhii KACHURYNETS, Liliya KACHURYNETS

23-29
- PDF (Українська)
MYTH AS AN ARCHETYPED TEXT OF CULTURE AND ITS PROJECTION IN UKRAINIAN CHORAL MUSIC OF THE 20TH AND EARLY 21ST CENTURIES

Hanna KUKHARYK

30-36
- PDF (Українська)
MADRIGALISM IN UKRAINIAN AND FOREIGN MUSICOLOGY: TERMINOLOGY

Dmytro MELNIK

37-42
- PDF (Українська)
THE METHODOLOGY OF FOSTERING THE CREATIVE POTENTIAL OF ACCORDIONISTS (BAYANISTS) IN THE PEDAGOGICAL ACTIVITIES OF SEMEN KOZLOV

Oleh MYKYTIUK

43-49
- PDF (Українська)
FEATURES OF SEMANTIC EXPRESSION IN FRENCH VOCAL MUSIC AT THE TURN OF THE ХІХ–ХХ CENTURIES

Ilona NOVAK

50-56
- PDF (Українська)
PECULIARITIES OF THE METRORHYTHM OF P. CRESTON’S WORKS IN THE FOCUS ON PIANO ACCOMPANIMENT

Mariia OBOLENSKA

57-66
- PDF (Українська)
TYPOLOGY OF UKRAINIAN VARIETY VOCAL AND INSTRUMENTAL ENSEMBLES OF THE TWENTIETH CENTURY

Pang Long

67-73
- PDF (Українська)
THE CREATIVE FIGURE OF ALEXANDER TCHEREPNIN IN THE GLOBAL SCIENTIFIC DISCOURSE

Iryna POLSKA, Haiyun CHEN

74-81
- PDF (Українська)
THE HERITAGE OF THE TRADITION OF UKRAINIAN SPIRITUAL SINGING IN THE COMPOSING CREATIVITY OF ARTISTS OF TODAY (ON THE EXAMPLE OF O. KOZARENKO’S “OSTROZKYI TRIPTYCH”)

Іryna ROMANIUK, Olena YASTRUB

82-94
- PDF (Українська)
ACHIEVEMENTS AND PROSPECTS OF UKRAINIAN COMPUTER PROJECTS ON THE MATERIAL OF FOLK SONG AND SACRED MONODY

Khrystyna RYABINETS

95-101
- PDF (Українська)
THE SOCIO-FUNCTIONAL ROLE OF VEDIC MUSIC IN THE HISTORY OF ANCIENT INDIA

Oksana SALATA, Mykhailo TIUKALOV, Vira DYCHESKUL

102-109
- PDF (Українська)
CHAMBER AND VOCAL WORKS OF CLAUDE DEBUSSY IN THE CONTEXT OF THE ESTABLISHMENT OF A COMPOSING STYLE

Valeriia TULIS, Olena USTYMENKO-KOSORICH

110-117
- PDF (Українська)
THEATRICAL BIOGRAPHY OF THE PERIOD OF RENAISSANCE IDEALS

Oksana TSYSELSKA

118-124
- PDF (Українська)
EFFECTIVE MANAGEMENT OF THE FOLK CHOIR: METHODICAL ADVICE FOR THE CONDUCTOR

Victoria SHEVCHENKO

125-130
- PDF (Українська)
F. LISZT’S PARAPHRASE ‘REMINISCENCE OF “LA JUIVE”’: EXPERIENCE OF DRAMATURGICAL COMPARISON

Yelizaveta SHUMAKOVA

131-137
- PDF (Українська)
THE POETICS OF VALENTIN SILVESTROV’S SIXTH SYMPHONY IN THE CONTEXT OF THE EVOLUTION OF THE ARTIST’S STYLE

Svitlana SHCHELKANOVA

138-144
- PDF (Українська)

FINE ARTS, DECORATIVE ARTS, RESTORATION

THE DECORATION OF ART NOUVEAU BUILDINGS IN THE POLTAVA REGION AT THE BEGINNING OF THE 20TH CENTURY

Artur AROIAN

145-150
- PDF (Українська)
PORTRAIT IMAGES OF RUSSIAN PRINCES ON SFRAGISTIC AN NUMISMATIC SOURCES: HISTORIOGRAPHY OF THE ISSUE

Oleksiy ARTYUKHIN

151-156
- PDF (Українська)
ART EXPERTISE AS A TOOL FOR THE ATTRIBUTION OF CULTURAL VALUES

Volodymyr ZABOTSKYI

157-164
- PDF (Українська)
ART ANALYSIS OF THE ILLUSTRATION OF THE LITERARY HERITAGE OF BORIS HRYNCHENKO, CREATED BY UKRAINIAN GRAPHICS SECOND HALF OF THE 20TH CENTURY

Veronika ZAITSEVA, Alla BUIHASHEVA

165-170
- PDF (Українська)
THE CONCEPT OF “PLASTIC ASSOCIATIONS” AND THE ARTISTIC FEATURES OF MYKHAILO DZYNDRA’S SCULPTURAL WORKS IN THE 1960S–1970S

Roman KYKTA

171-184
- PDF (Українська)
THE IMAGE OF A WOMAN IN THE PAINTING OF CHINESE MODERNIST ARTISTS OF THE FIRST HALF OF THE 20TH CENTURY: BETWEEN THE “DOLL” AND THE “NEW LADY”

Yevgen KOTLYAR, Shuting WANG

185-191
- PDF (Українська)
THE NATIONAL PAVILION OF UKRAINE AT THE 60TH VENICE BIENNALE: ARTISTIC AND ORGANIZATIONAL ASPECTS

Olena LEONTIEVA

192-199
- PDF (Українська)
CERAMIC SCULPTURE: FROM UTILITY TO ARTISTIC IMAGERY

Olga PLOKHA

200-205
- PDF (Українська)

CULTURAL STUDIES

СONTEMPORARY UKRAINIAN ICONOGRAPHY AS A REFLECTION OF NATIONAL IDENTITY

Lidiia VERBYTSKA, Roman VELYKYI

206-212
- PDF (Українська)
SEMIOTICS OF VISUAL ART: THE THEORETICAL AND METHODOLOGICAL ASPECTS

Viktoria GOLOVEI

213-220
- PDF (Українська)
STANDARDS OF FEMALE BEAUTY IN THE CONTEXT OF MEDIATIZATION OF MODERN CULTURE

Kseniia HRYTSYNA, Olha MOSKVYCH

221-229
- PDF (Українська)
CARNIVAL AS A TYPE OF ANIMATED ACTIVITY IN MODERN UKRAINE

Vitaliy DMYTRENKO, Vita DMYTRENKO

230-235
- PDF (Українська)
EXPOSITION AND EXHIBITION MUSEUM PROJECTS ON THE FORMATION OF THE CONCEPT OF UKRAINIAN NATIONAL AND CULTURAL IDENTITY

Myroslava ZABRODSKA

236-244
- PDF (Українська)
THE NYZHANKIVSKYIS FAMILY IN PRESS MATERIALS BY PUBLIC AND EDUCATIONAL FIGURES OF THE UKRAINIAN DIASPORA

Hanna KARAS

245-251
- PDF (Українська)
THE CURRENT STATUS AND DEVELOPMENT TRENDS OF FOLK

Olga KVETSKO, Nataliia MARUSYK

252-257
- PDF (Українська)
THE EVOLUTION OF SOUND RECORDING IN UKRAINIAN CULTURE: PRESERVING THE NATIONAL CREATIVE HERITAGE FOR THE GENERATIONS OF THE TWENTIETH CENTURY

Denys KOCHERZHUK

258-266
- PDF (Українська)
MODERN CONCEPTS OF CULTURAL ARCHETYPES IN THE CONTEXT OF VISUAL INTERNET CONTENT RESEARCH

Andrii OVCHARENKO

267-273
- PDF (Українська)
THE MUSICAL AND CINEMATOGRAPHIC SCORE OF THE FILM “OTTO E MEZZO” (1963) AS AN EXAMPLE OF THE CREATIVE TANDEM OF FEDERICO FELLINI AND NINO ROTA

Heorhii SYRBU

274-282
- PDF (Українська)

No. 3 (2024): Fine Art and Culture Studies

Full Issue

MUSICAL ART

FINE ARTS, DECORATIVE ARTS, RESTORATION

CULTURAL STUDIES

Language